Postcards from the Alligator Farm
I had long suspected that these images were merely imaginative artwork, similar to tall tale postcards. Today I learnt that, in fact, they’re halftone photographs with applied colour depicting fun for all the family at the Los Angeles Alligator Farm in the early 20th century:
Originally located in Hot Springs, Arkansas, Joseph ‘Alligator Joe’ Campbell’s Alligator Farm was relocated to tourist hotspot Lincoln Heights, California in 1907. The animals were loaded onto a train and a banner was hung from the side advertising the advent of the attraction.
After paying their 25 cents admission fee, visitors could enjoy the hundreds of alligators, of various sizes and ages, that lived in the back garden - and, as the postcards show, there were opportunities to ride the reptiles. In time, the farm began to supply alligators for the movie industry and feature in such films as ‘King Solomon’s Mines,’ ‘The Adventures of Kathleen,’ Walt Disney’s ‘The Happiest Millionaire’, and numerous Tarzan films.
Most famous was an alligator called Billy. Visitors to the farm would witness Billy sliding down chutes and wrestling underwater with famed alligator wrestler George Link, and, until the 1960s, most of the alligator jaws seen in films belonged to Billy, as he would automatically open his mouth when a piece of meat was dangled above him, just out of view of the camera. Billy was one of the alligators so domesticated that his owners could put a saddle on him and give their visitors a ride. Another highlight was 250lb Galapagos tortoise, Humpy. The owners’ children would put a saddle on Humpy and Billy each and race them around the garden. Humpy would regularly stray off the path but was invariably the winner.
In it’s hey day the farm was the most complete reptile collection in the world, as various other species of snake and lizard were introduced over time, and would entertain 130,000 visitors a year.
[Mice Chat | Iconic Muse | Image Archeology | Image Sources: 1 : 2 : 3 : 4 : 5 : 6 : 7 | More black and White photographs]

![Typhoid Mary
Mary Mallon [foreground above] was born in Northern Ireland in 1869 but emigrated to the USA in ‘84. She worked as a cook in New York, where, within two weeks of her first employment, the residents developed typhoid fever. After this, each family for whom Mary worked invariably became ill with typhoid. Wherever Mary went outbreaks followed her. When one family she worked for rented a house in Oyster Bay for the summer, six of the eleven people in the house came down with typhoid, a disease said by local doctors to be “unusual” at that time.
Typhoid researcher George Soper was hired to investigate. He published his results saying he believed soft clams might be the source of the outbreak and that:
“It was found that the family changed cooks … about three weeks before the typhoid epidemic broke out. She remained in the family only a short time, leaving about three weeks after the outbreak occurred. The cook was described as an Irish woman about 40 years of age, tall, heavy, single. She seemed to be in perfect health.”
No one knew her whereabouts but eventually Soper traced her to an active outbreak in a Park Avenue penthouse. When Soper approached Mallon she adamantly rejected his request for urine and stool samples.
The New York City Health Department sent Dr. Sara Josephine Baker to talk to Mary but still she refused to cooperate, believing she was being persecuted because she was an immigrant. A few days later, Baker arrived at Mary’s workplace with several police officers who took her into custody. Cultures of Mary’s urine and stools, taken forcibly with the help of prison matrons, revealed that her gallbladder was teeming with typhoid salmonella. She refused to have her gallbladder extracted or to give up her occupation as cook, maintaining stubbornly that she did not carry any disease.
She was held in isolation for three years until, in 1910, she agreed that she “[was] prepared to change her occupation, and would give assurance by affidavit that she would upon her release take such hygienic precautions as would protect those with whom she came in contact”. Upon release, Mallon was given a job as a laundress, which paid lower wages, so she changed her name to Mary Brown and returned to her previous occupation as a cook. For the next five years, she went through a series of kitchens, spreading illness and death, keeping one step ahead of Soper.
In 1915, a serious epidemic of typhoid erupted among the staff of a hospital, with twenty five cases and two deaths. City health authorities investigated, learning that a portly Irish-American woman had suddenly disappeared from the kitchen help. The police tracked her to an estate on Long Island. Mary spent the rest of her life in quarantine until, aged 69, she died of pneumonia.](http://25.media.tumblr.com/0e0d04b65299d5f39a7972999dee6b46/tumblr_mgzwrivqj91rnseozo1_1280.jpg)

![Double Exposure Coincidence
Photography was a whole different art back in the early 1900s. In some cases pictures were taken on individual photographic plates and these were developed by specialist shops and stores. In 1914, just prior to the first world war, a German mother took a photo she had taken of her young son, to a shop in Strasbourg, to be developed. Before she could collect the photo war broke out and for some reason she was unable to return to Strasbourg.Moving forward two years to 1916, the same woman had another child and purchased a photographic plate to take a picture of her newest arrival. She was now in Frankfurt and after taking the photo presented the plate to be developed. When she went to collect her picture she was annoyed at first as this showed a double exposure i.e. one picture on top of another. She couldn’t work out how this could have possibly happened. She was definite that she had only taken only one photo.Then she looked more closely at the photo and was stunned to see that the new picture of her daughter was in fact superimposed on that of her son - the photo she took two years previously. By some bizarre coincidence the film plate had somehow been transferred from Strasbourg to Frankfurt and was marked in error as being unused. This was subsequently sold to the woman so she could take a photo of her daughter. The photo of her son - which she thought she had lost forever - was found, but perhaps not in exactly the [condition] she would have preferred.
[Note: I’m somewhat dubious about this…]](http://24.media.tumblr.com/tumblr_mdsztmFrR01rnseozo1_400.jpg)