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The Oddment Emporium

A Cornucopia of Eclectic Delights

Posts tagged China:

Fingernails in Imperial China

In Imperial China it was customary for individuals of high social standing to grow their fingernails to excessive lengths. The impractical length of the fingernails demonstrated that they had no functional use for their hands i.e. manual work. Women of the Imperial court would often adorn their fingernails with protective, ornate guards

[Image Sources: 1: Li Ching-Yuen, who, incidentally, claims to have been at least 197 years of age when he died | 2: From the Mutter Museum collections, this gentleman boasts two 6 1/2 inch fingernails and one 5 inch fingernail | 3: Empress Dowager Cixi | 4: Details of the Empress’s fingernail guards.]

18th Century Dog Cage
This elaborate dog cage epitomizes the luxurious life of the imperial court during the long reign of the Qianlong emperor, when the extravagant display of wealth extended even to the accouterments of the imperial kennels. The body of the cage is decorated with the intricate enameling technique known as cloisonné … The finials at the top of the cage as well as the five-clawed dragons and lions’ heads around the perimeter are gilded, and rows of jade rings complete this miniature palace on wheels. The emperor was said to be especially fond of cloisonné and had workshops that specialized in the process established on the palace grounds in Beijing, where this cage for a favorite pet dog was undoubtedly fabricated. Felice Fischer, from Philadelphia Museum of Art: Handbook of the Collections (1995), p. 34.

18th Century Dog Cage

This elaborate dog cage epitomizes the luxurious life of the imperial court during the long reign of the Qianlong emperor, when the extravagant display of wealth extended even to the accouterments of the imperial kennels. The body of the cage is decorated with the intricate enameling technique known as cloisonné … The finials at the top of the cage as well as the five-clawed dragons and lions’ heads around the perimeter are gilded, and rows of jade rings complete this miniature palace on wheels. The emperor was said to be especially fond of cloisonné and had workshops that specialized in the process established on the palace grounds in Beijing, where this cage for a favorite pet dog was undoubtedly fabricated. Felice Fischer, from Philadelphia Museum of Art: Handbook of the Collections (1995), p. 34.

Why hide your porno underneath your mattress when you can waltz around with it in your pocket? Indeed, this impulse has informed watchmakers/perversion peddlers for centuries — for the past 300 or so years, tiny mechanical scenes of automata in flagrante delicto have been ferreted away in timepieces, allowing the owner to enjoy this robo-rutting at their leisure. Reuters elaborates on this practice:

The manufacture of watches with explicit motifs — often concealed from immediate view — began in the 17th century for the Chinese market, with the most luxurious timepieces created for the Emperor and his retinue. In the 18th century watchmakers introduced rhythmic interest by incorporating tiny automata to the erotic scenes and watches containing libertine scenes were made for the Far East, followed by India and more recently by the Middle-East.

Here’s an exquisitely salacious collection of watches dated from the 1820s to the 1900s. They depict everything from an enormously endowed voyeuristic Satan, a threesome with some monks, and an inquisitive dog who is not killing the mood. 

Image Sources: Image 1 : Image 2 : Image 3 : Image 4.

(Source: io9.com)

Olive Seed Carving
Ch’en Tsu-chang, originally from Kwangtung, had already entered the Imperial Bureau of Manufacture in the Yung-cheng reign (1723-1735). In 1737, he followed the natural shape of an olive pit to carve a small boat. On the boat are eight figures, each of which is animated and expressive in an individual manner. What is most fascinating is that the entire text of Su Shih’s “Latter Ode on the Red Cliff”, including more than 300 characters and upon which this work is based, is engraved with exquisite detail on the bottom of the boat, testifying to the heavenly craftsmanship of the artist. (Height: 1.6 cm, length: 3.4 cm)
See it HUGE.

Olive Seed Carving

Ch’en Tsu-chang, originally from Kwangtung, had already entered the Imperial Bureau of Manufacture in the Yung-cheng reign (1723-1735). In 1737, he followed the natural shape of an olive pit to carve a small boat. On the boat are eight figures, each of which is animated and expressive in an individual manner. What is most fascinating is that the entire text of Su Shih’s “Latter Ode on the Red Cliff”, including more than 300 characters and upon which this work is based, is engraved with exquisite detail on the bottom of the boat, testifying to the heavenly craftsmanship of the artist. (Height: 1.6 cm, length: 3.4 cm)

See it HUGE.

Meat-shaped Stone

In the collection of the National Palace Museum, two of the most famous works on display are “Jadeite Cabbage” and “Meat-shaped Stone”, which is why these two are often exhibited together for the appreciation of visitors. At first glance, this meat-shaped piece of stone looks like a luscious, mouth-watering piece of “Tung-p’o meat”. Made from banded jasper, it is a naturally occurring stone that accumulates in layers over many years. With time, different impurities will result in the production of various colors and hues to the layers. The craftsman who made this meat-shaped stone took the rich natural resources of this stone and carved it with great precision, and then the skin was stained. This process resulted in the appearance of skin and lean and fatty layers of meat, the veining and hair follicles making the piece appear even more realistic. (1644-1911)

(Source: npm.gov.tw)

19th Century Chinese Carved Hornbill Ivory Casque

19th Century Chinese Carved Hornbill Ivory Casque

Chinese puzzle balls are ornate decorative items that consist of several concentric spheres, each of which rotates freely, carved from the same piece of material. Although the master carvers of old used ivory, in modern times you can find puzzle balls made of synthetic ivory, resin, wood, jade, and other materials. These detailed works of art are usually made up of at least 3 to 7 layers, but the world’s largest puzzle ball is actually made of 42 concentric balls all enclosed one within the other.

Chinese masters rotate a solid ball on a lathe and start by drilling holes toward the center of the objects. Then, using special “L”-shaped tools, they begin to separate the innermost balls. The tool with the longest upright has the shortest cutter, and the one with the shortest upright has the longest cutter. The craftsman lowers the longest tool to the narrow bottom of each hole in turn and rotates it to cut the innermost ball free. Then, using the second longest, which doesn’t reach as far down, but cuts a wider arc, he separates the second ball, and so on, from the innermost to the outermost shell. Because it is easier to work with, the exterior shell is the most elaborately carved, usually featuring an intertwined dragon and a phoenix.

They are solved by aligning all the holes.

(Source: odditycentral.com)

An x-ray of a Chinese woman’s feet after being bound. The Chinese practice of footbinding, popular since medieval times, was banned only in 1911. Young girls’ feet were wrapped in bandages to prevent them from growing longer than 4 inches. By age 3, four toes on each foot would break, often leading to infection, paralysis and atrophy. Some elderly Chinese women today still show disabilities.

An x-ray of a Chinese woman’s feet after being bound. The Chinese practice of footbinding, popular since medieval times, was banned only in 1911. Young girls’ feet were wrapped in bandages to prevent them from growing longer than 4 inches. By age 3, four toes on each foot would break, often leading to infection, paralysis and atrophy. Some elderly Chinese women today still show disabilities.